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РІР‚СљIt's so crazy because that song floated out of me. That intensity-it's literally like it's punching you in the face.РІР‚Сњ 'Bad Luck' was so fitting to the intro it had to go right after.

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For Free Spirit, overall, the vibe's completely different-the melancholy tone, the melodies. РІР‚Сљ American Teen started a little bit more up, a little bit more happy. It's so cinematic and it washes over you, and I'm like, 'People have to hear this first.'РІР‚Сњ It was made to be the intro: I'm naming it 'Intro.' No other name popped up in my head. РІР‚СљI wanted people to find their own name for this song and what it means to them. Khalid talked through the stories and inspiration behind each song with Zane, so read along as you take it all in. РІР‚СљNow I get to release this at 20-21, so it's a completely different mind frame.РІР‚Сњ His much-anticipated second album, the 17-track Free Spirit-and its companion film of the same name, created by Khalid along with director Emil Nava-is a soulful, sober meditation on what he's learned in those intervening years and about what happens when you long for personal freedom but aren't yet totally sure what to do with it. It'll probably sound even better after a long-deserved break.РІР‚СљI wrote American Teen at 17 years old,РІР‚Сњ Khalid told Beats 1 host Zane Lowe. An upside is that Khalid's voice is smoother, richer, and therefore more expressive here than it was on the debut.

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In the song itself, the notion is merely aspirational and wistful, with Khalid vividly recalling, 'We were drownin' down our memories/A cemetery full of broken bottles, man, that liquor bleed.' Only the kind of thunderous 'Heaven,' involving Father John Misty and a couple of his associates, sounds too heavy in sentiment, with Khalid aching, 'Lord, there's nothing for me left out here.' It adds unnecessary weight to an hour-long LP with little joy or even relief, one that is nearly static in energy level despite a carousel of producers - completely different than that of American Teen - featuring Murda Beatz, StarGate, Disclosure, and D'Mile. Consequently, Free Spirit is not illustrative as a title. More than anything else, the album works through emotional struggles of early adulthood - from anguish over faltering relationships and insecurity about expressing grief, to yearning for a simple stolen moment beneath the bleachers.

These feelings aren't unique to pop stars, and even though they make up a fair portion of Free Spirit, Khalid and his fellow songwriters never express them in such specific language that an everyday listener can't relate.

The downcast 'Bad Luck' lashes out at parasitic behavior, and in a number of other songs, Khalid seeks escape from stifling situations, consumed by internal conflict, this close to swearing off all communication via WiFi for at least five minutes. 'Hundred' isn't the only song on which he vents. As much as any other artist shot to fame on the brink of adulthood, Khalid could be forgiven for turning in a woeful post-fame album and checking out.

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During the two years that passed between American Teen and Free Spirit, he took part in a decade's worth of collaborations and stylistic crossovers, plus frequent touring amid nonstop promotional duties, all while earning five Grammy nominations and accumulating a stack of platinum certifications. Going by the unrelenting campaign to keep him in the spotlight since he hit with 'Location,' the statement doesn't seem all that hyperbolic.

'Everybody wants a favor, everybody needs me,' Khalid exhaustedly grumbles on 'Hundred,' a dispirited soft pop ballad placed in the middle of Free Spirit.